But what does it matter? Well, according to this logic, in the first place, there is money. Then, everything else. Everything that helps achieve that economic purpose will be, precisely, rational. Economic performance, the desire for profit, first; then, customer satisfaction, human beings. This is our system. The world in which we had to live. A world that Franz Kafka a century ago – he was born in 1883 and di in 1924 – had prefigur in his narrative. This world is the anonymous machinery, the faceless power that the small Czechoslovakian writer turn into a shadowy and omnipresent character in The Trial and also in texts such as The Castle and The Condemnation , and, in general and with various nuances, in all his work, load with ominous forebodings about the sinister character that our civilization was going to adopt.
That the Teacher Must
In The Trial , Kafka tells the story of a gray bank clerk nam Josef K, who one morning, inexplicably, sees an agent break into his room and order him to report to police headquarters to answer for certain b2b email list charges that have been brought against him. They accuse him and he never knows what they are. He walks through dark corridors, again and again, in search of the magistrate who will judge him, but only receives convolut notifications and meaningless requests that lengthen his wait agonizingly: no one ever tells him clearly what he is accus of or who is doing it.
Collaborate with His or
Waiting for him is always in vain. Until, as absurdly as that process was open, he was cruelly murder at the hands of his accusers. This atmosphere of anguishing disorientation, of quiet desperation Phone Number BL in the face of what already seems to be a state of terminal social crisis, is what seems to be spreading in our country, in the world, in these times of faceless transnational corporations, of exhausting work carri out carri out from blurr purposes under the impersonal leadership of ghostly directorates, of savage competition and desire for excessive profit.
